. An-expression-jean-claude, Risset used regularly, well before he wrote the article in which he gives an overview of his career as a composer, 1990.

. See-the-speech-jean-claude, Risset gave when he accepted the CNRS 1999 Gold Medalhtm. Risset's piano teacher Robert Trimaille was himself a student of Alfred Cortot who was known for his great interest in the 'toucher du piano, 2011.

T. Studi-per-un-progetto, [10] Ibid. [11] 'Spectral Music': first published in March 1979 by Radio-France and then in Conséquences, pp.111-115, 1985.

W. Guido-begal-in and . Verona, Renato Ionisi in Milan (music theory including Bach's counterpoint, Renaissance double choir, late romantic style)

. Hidinefte, autre face de Traiettoria (for computer-generated tape, was premiered in November 1989 at the Maderna Festival in Milan) contains the synthetic sounds from Traiettoria, mixed and put in a different order (with the exception of a single passage, the first electronic part of Dialoghi, deemed uninteresting when separated from the interaction with the piano)

A. , B. , and C. Etc, Out of these 12 Computer Jotters, only the first Deviata notebook contains a section with written notes (more than 60 pages) Aside from that exception, all the notebooks are filled with pencil annotations following the same procedure and they constitute a sort of computer score. In these notebooks the sounds are recorded one by one (one to two pages per sound) and type after type. For example if the sound types are called, p.1, 2001.

. Traiettoria, deviata first appeared as a title for the first movement the 29 November 1982 (logbook, p. 5) but the two words are several lines apart with (TRAIETTORIA) on the one Contemporary Music Review 405

. Hand, DEVIATA) on the other hand: only the capitals and the parenthesis seems to imply that the two terms will be put together

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