selfhood and lack of proper identity) means that a prisoner become actor like Big Hutch is summoned to appear before the law of mimesis in a way that no judge, as judge, can ever know, or ever admit to knowing. A judge cannot know just mimesis. Act V however gives us to think just mimesis, only mimesis, as a just mimesis, a " consciousness " of this double allegiance, a " consciousness " that is not unified, and thus not consciousness, unless, masquerading as cause, it represses the mimesis of which it is the effect, WORKS CITED ,
Le principe spectral de la représentation, 2012. ,
Fitting Sentences: Identity in Nineteenth-and Twentieth-Century Prison Narratives, 2005. ,
DOI : 10.3138/9781442674943
Act V. This American Life Chicago: WBEZ, 2002. ,
Mimésis désarticulations, Sylviane Agacinski et al. Paris: Flammarion, pp.167-270, 1976. ,