. Or, selfhood and lack of proper identity) means that a prisoner become actor like Big Hutch is summoned to appear before the law of mimesis in a way that no judge, as judge, can ever know, or ever admit to knowing. A judge cannot know just mimesis. Act V however gives us to think just mimesis, only mimesis, as a just mimesis, a " consciousness " of this double allegiance, a " consciousness " that is not unified, and thus not consciousness, unless, masquerading as cause, it represses the mimesis of which it is the effect, WORKS CITED

A. and R. James, Le principe spectral de la représentation, 2012.

J. Haslam, Fitting Sentences: Identity in Nineteenth-and Twentieth-Century Prison Narratives, 2005.
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J. Hitt, Act V. This American Life Chicago: WBEZ, 2002.

-. Typographie, Mimésis désarticulations, Sylviane Agacinski et al. Paris: Flammarion, pp.167-270, 1976.